We’ve had a few musicals since the time of Rogers and Astaire, however few that have attempted to recover that feeling of liquid, enchanted thinking in which characters speak with their bodies to such an extent, possibly more, than they do with their voices. One of numerous noteworthy things about Damien Chazelle’s “Fantasy world” is how much vitality and time it dedicates to development and music, not simply verses. The current motion picture musicals, so regularly in light of Broadway shows, have concentrated vigorously on tunes that further plot.
In Chazelle’s vision, choreography matters and a basic piano hold back can have more power than a verse. This is a wonderful film about adoration and dreams, and how the two effect each other. Los Angeles is loaded with visionaries, and once in a while it takes an accomplice to make your blessing from heaven.